There he should have stopped. It would have been a good note on which to finish. But it seemed there was another point he wished to make. Even to the sinner Calvary calls. To Judas—even to him the gates of the life-giving Garden of Gethsemane had not been closed. “With his thirty pieces of silver he could have stolen away. In some distant crowded city of the Roman Empire have lived unknown, forgotten. Life still had its pleasures, its rewards. To him also had been given the choice. The thirty pieces of silver that had meant so much to him! He flings them at the feet of his tempters. They would not take them back. He rushes out and hangs himself. Shame and death. With his own hands he will build his own cross, none to help him. He, too—even Judas, climbs his Calvary. Enters into the fellowship of those who through all ages have trod its stony pathway.” She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes.!

“I shall ask you to marry me when your hair is white,” he said. “May I?” “You’ll be the last of the name,” he said. “Something tells me that. I’m glad you’re a fighter. I always prayed my child might be a fighter.”

“Thanks,” he answered. “I may ask you to later on. But just now—” He paused. Mrs. Denton knew just the right people. They might be induced to bring their sons and daughters—it might be their grandchildren, youth being there to welcome them. For Joan, of course, would play her part. “Oh, sufficiently,” Joan answered. The one thing her mother had done for her had been to talk French with her when she was a child; and at Girton she had chummed on with a French girl, and made herself tolerably perfect.